The Garden Cinema Film Talk
Celebrating the Art of Film. The Garden Cinema is an independent art-house cinema in Central London. We invite directors, producers, actors, and film commentators to talk about the films we show. Most of our podcast episodes are recorded post-screening, and with a live audience. We welcome recommendations! Our first few episodes feature Garden Cinema founder Michael Chambers.
Episodes

Wednesday Feb 26, 2025
Angeliki Papoulia on Matchbox, Lanthimos and contemporary Greek cinema
Wednesday Feb 26, 2025
Wednesday Feb 26, 2025
The Greek actress, best known for Yorgos Lanthimos' Alps, Dogtooth, and The Lobster, and currently to be seen in Mahdi Fleifel's To A Land Unknown, discusses Yannis Oukonomides' Matchbox and Greek cinema with Erifili Missiou, the curator of the Garden Cinema's Contemporary Greek Cinema: Beyond the Weird Wave season.

Friday Jan 17, 2025
Friday Jan 17, 2025
A special event to mark the re-publication by leading London independent press Prototype of a facsimile edition of Derek Jarman’s early, extremely rare and only poetry book A Finger in the Fishes Mouth, originally published in 1972
Joining publisher Jess Chandler and editor Gareth Evans are poet and writer CAConrad and scholar Declan Wiffen. With thanks to James Mackay.
More podcast episodes can also be found at:https://thegardencinemafilmtalk.podbean.com/
Recorded 30th November 2024 at The Garden Cinema39-41 Parker Street London WC2B 5PQ
Visit our website: https://www.thegardencinema.co.uk/Follow us on Twitter: https://x.com/TheGardenCinemaFollow us on Instagram: https://www.instagram.com/thegardencinema

Wednesday Oct 23, 2024
Mark Cousins and Wendy Mitchell on A Sudden Glimpse to Deeper Things
Wednesday Oct 23, 2024
Wednesday Oct 23, 2024
A creative biography of the Scottish artist Wilhelmina Barns-Graham. One of the most important women in British modern art, the painter Wilhelmina Barns-Graham was a highly inspirational figure, whose work was deeply impacted by a pivotal event in her life.
A Sudden Glimpse into Deeper Things feature documentary is Mark Cousins' love letter to Wilhelmina Barns-Graham, a significant yet often overlooked British modernist painter.
True to Cousins' unique style, the film takes different angles to investigate her legacy, combining an account of Barns-Graham's climb to the top of a glacier in Switzerland that was pivotal to her art, a lengthy contemplation over one of her photographs as an elderly woman, and a documentation of his acquisition of a Barns-Graham-inspired tattoo. As with all love letters, Cousins' exploration of Barns-Graham's innovative mind is deeply personal and idiosyncratic, weaving together fragments of her life and art in a complex tapestry.
Writer and director Mark Cousins joins us for a post-screening Q&A about the film.

Wednesday Sep 25, 2024
Naqqash Khalid and Nabhaan Rizwan on In Camera
Wednesday Sep 25, 2024
Wednesday Sep 25, 2024
Director Khalid and lead actor Rizwan joined us for a post-film Q&A to discuss researching and shooting In Camera with host Fatima Serghini and the Garden Cinema audience.

Thursday Jul 25, 2024
Actress Priya Kansara and Kulraj Phullar discuss Polite Society
Thursday Jul 25, 2024
Thursday Jul 25, 2024
Nida Manzoor, creator of the BAFTA, Peabody, and Rose d’Or award winning sitcom We Are Lady Parts, made her feature directorial debut with Polite Society. This exuberant feminist action comedy, turns genre etiquette on its head whilst examining the complexities of navigating life as a British-Pakistani teenager.
Actress Priya Kansara who plays the lead part of Ria joins film theorist and lecturer Kulraj Phullar to discuss her role, martial arts training and her foray into acting, genre-bending cinema, community, and South Asian Heritage Month.
Polite Society is part of both the South Asian Heritage Month and the Women Aren't Funny seasons.

Wednesday Jun 12, 2024
Wednesday Jun 12, 2024
Young people took to the streets with political muralism all over Chile in the late 60s, at the same time that young people in New York were starting modern graffiti, and May 68 took place in Paris. Chile Estyle is a documentary film which explores the past and present of Chile's unique street art tradition, which comes from a remix of political muralism and graffiti, and has been part of Chilean cultural and political life since the 60s. The result is a visually arresting, informative, and entertaining film.
Director Pablo Aravena discusses his work and interest in street art, DJing, Hip Hop, and graffiti, and how the scene ties in with regional politics.

Wednesday May 15, 2024
Caméra d'Or winner director César Díaz on Our Mothers and Guatemala's recent history
Wednesday May 15, 2024
Wednesday May 15, 2024
Ernesto (Armando Espitia) is a young Guatemalan anthropologist tasked with identifying the bones of the people killed by the military government in the 1980s. One day, while hearing the account of an old woman, he thinks he has found a lead that might guide him to his father, a 'guerrillero' who went missing during the war. Meanwhile, his mother Cristina (Emma Dib), is about to testify at the trial of former soldiers who took part in the genocide.
Our Mothers is one of the rare films looking at the massacre carried out by the US backed military against the indigenous population.
Our Mothers won the Camera d'Or and the SACD Prize at the Cannes Film Festival. It received six nominations at the 10th Magritte Awards, including Best Film and Best Director for Díaz, winning Best First Feature Film.
César Díaz talks to Pablo Navarrete from Alborada and our audience about the film. The screening is part of our New Central American Cinema season.

Wednesday Mar 27, 2024
Another Reality screening: Genre cinema in the Arab world
Wednesday Mar 27, 2024
Wednesday Mar 27, 2024
AWAN partnered with The Arab Film Club to present Another Reality: Genre Shorts by Arab Women Filmmakers, here at the Garden Cinema, a programme curated by Sarah Agha.
AWAN is the UK’s only contemporary multi-arts festival dedicated to showcasing inspiring works from Arab female artists.
Sarah discusses the shorts with their respective directors, and the growth of genre cinema in the Arab world more generally, with input from our audience.
Ladies Coffee (2024) by Amal Al-Agroobi - 10’
On the prowl for lady suitors, Roula invites Zeina and her daughter over for Arabic coffee. But when young Reem participates in a cup reading ritual, she gets more than she bargained for.
The Call (2023) by Riffy Ahmed - 14’
During a difficult visit to her single immigrant mother, Athena discovers that what she thought was age-related mental decline is in fact an inherited magical gift.
In Vitro (2019) by Larissa Sansour - 28’
In an underground orchard in Bethlehem, decades after an other worldly eco disaster, two scientists ruminate on exile, loss, identity and nostalgia.

Wednesday Feb 14, 2024
Wednesday Feb 14, 2024
Journalist and critic Sophie Monks Kaufman discussed the The Zone Of Interest with the Garden Cinema's Joe Miller. Sophie and Joe talk in-depth about all the inception of the film, the cinematography, the many layers and themes the film evokes, history, resonance, resistance and the dehumanisation of others.

Wednesday Jan 17, 2024
SCALA!!! chat with directors Jane Giles & Ali Catterall
Wednesday Jan 17, 2024
Wednesday Jan 17, 2024
...OR, THE INCREDIBLY STRANGE RISE AND FALL OF THE WORLD'S WILDEST CINEMA AND HOW IT INFLUENCED A MIXED-UP GENERATION OF WEIRDOS AND MISFITS
A feature-length big screen documentary telling the riotous inside story of the infamous sex, drugs and rock 'n' roll repertory cinema which inspired a generation during Britain's turbulent Thatcher years.
Journalist Saskia Baron discusses the history of the iconic venue and the filmmaking process with its two directors here at the Garden Cinema, with input and comments from our audience!

The Garden Cinema Film Talk
This podcast comes from the Garden Cinema, an independent cinema in Covent Garden, in the heart of London. We chat with filmmakers, actors, producers and film commentators about the art of film. We talk about the films they made, how they made them, the films they want to make and the problems they encounter.